Technically, you could link influencing the elements (moving earth to create a wall for instance) to the way Avatar handles it. For example, you can create a magic system that has very clear rules for your protagonist but only vague rules for your antagonist. Yeah, I think your fabric metaphor works great. For Light and Darkness, Shade will be their name. Color: the type of color determines what kind of effect the Vibration will have on the Physical World. The God of Parties, on the other hand, would be very chaotic. Im sure theres a deeper meaning in this. A very interesting and well laid out post, though I dont quote agree with all the recommended reading. But usually a person can only ever do one of those three (create, increase or decrease), and only do it for a certain energy type. If they need to rely on chanted rituals, they cant do something in a few seconds and they cant start a ritual while the enemy is looking for them, because the voice would lead the enemy to the hiding spot. The magic was based essentially off the interplay between my hereditary inclination towards poetry and a book on quantum physics Id just read entitled Space, Superspace and the Quantum Universe which explored the newly proposed theory of quantum mechanics that by some quantum physicists said by our observation of the physical universe we live in we are, in ways measurable to quantum physics, IN FACT INFLUENCING WHAT ITS STRUCTURE ACTUALLY IS. Untold masses dead, fear, uncertainty you get the idea. Curses are basically magic diseases. Like it doesnt work on them or around them? Avatar works with four definite sources of power, which happen to be fire, water, air, and earth. I love your blog a lot, but Im annoyed with your bashing of the Harry Potter series in almost every article. Id especially suggest that, because your holy magic is used by priests, so it, too, is tied to the gods. The first step is building a metaphysical framework for how and why magic works. Humans have it too, but they are a small piece. Notes on the world: humans are at a hunter-gatherer to city-state level of development, gods are real but you can never talk with them, spirits are everywhere and run on fae logic, and demons are corrupted spirits that will ravage towns/cities and curse people. Their eyes are blinded and their organs fail. This version of my storys magic system is like a combination of magic in the Marvel movies and in The Magicians. Mana manipulation is a basic form of magic (though anyone can learn this ability through time and training without doing magic at all. Vibrations function is fundamentally the same as electric signals in the brain, in that there are millions upon millions of different signals being sent and working together to achieve something, even something as simple as moving your arm. Maybe if their contact to spirits is limited, or the spirits themselves have goals that dont line up with the protagonists goals. The knots must be undone, causing the reverse effect as the original magic, and rewoven into the fabric of reality. The readers should, after reading a bit of the story, develop an understanding for how people do magic. Each blob of energy could be bound to the other blob of the same type of energy and it will result in kind of quantum entanglement from real physics everything what happens with on blob will happens with other blob. Following is a list of all the abilities that can be generated by the Abilities Generator. Forms of moon magic include illusion magic, shadow magic, and spirit magic. For instance, the Patronus Charm is a spell that is critical to the plot of multiple Harry Potter books. A curse rang out as he knew he should of just got up instead of trying to weave when he was too tired to focus. She holds a BA from Yale University and lives in Colorado. Like species in our world evolved so did the magic in their world, with their ancestors using a specific type of magic and pased it down it just became a part of them. Ones that havent made many contracts and dont know much about human emotion yet will be much more objective. To keep your magic mysterious like in Game of Thrones, hide how it operates. There is a set science about how magical techniques are performed, and knowing about the what and the how behind these techniques is important. Only one. Certain effects that were considered: To build this logic, start by thinking about three things: the effects, sources, and costs of magic. Learn the most recent fiction marketing tactics, Amazon algorithm deep-dive, with case studies, & more. Anyway, an Order ofMages (havent thought of a proper name yet) is working in overdrive to contain the outbreak, taking the dying, destroying corpses, etc to prevent the spread of the blight Or so you think If you choose a framework that is broader and vaguer, youll need to add less obvious limitations to it. Light? That way, it would mean using that energy to influence an element. Sometimes, as in the example I made, other natural processes, such as life and death (or decay) or day and night are added. Ive found this post while looking any information about making own magic system for an cRPG. (I wont deal with it here and now, as this reply is getting too long already and you never mentioned it in your comment). Yes, first drafts are for your eyes only. However, they seem to require non-biological properties, so they probably wouldnt evolve naturally. (Incidentally has one of the worst magic systems in literary history). Thisbook extrapolated the authors theory that this means that by our observation of the universe we are in fact playing some role in creating it and that that bolsters the philosophical school again, dont remember its name or nearly as much as I should if I hadnt been such a bloody stoner all through college ;) that each individual lives in their own separate universe which they create or have a part in shaping. The differences come into play when various factions go to war. To me, it seemed like I had everything figured out and I could write a story now. In the Matrix, lifting something huge is harder than lifting something small. Does it seem too unpredictable? These small but significant changes in their functionality causes untold chaos; billions die and the climate is thrown off by the massive amount of metal particulates now in the upper atmosphere. Earth and earthy minerals/materials (Since earth is firm, solid and tangible, and since man walks and sleeps on the ground, eats what the ground produces, and has a beneficial relationship with the earth, earth is easy to hold on to for longer periods of time, assuming you dont try to control too much of it at a time). Thanks a million! It could make for some interesting stories devout priests who get power from their deities versus irreligious wizards who use their own will as magic, bio-mages who draw upon the weak but flexible power of living organisms versus geo-mages who draw upon the mighty yet unsubtle power of the land itself, Incidentally, all examples you have given, Cay Reet, are about how (most) magic-users cannot use all types of magic; do you think that a system in which magic-users could learn all possible magic (at least theoretically) but what is possible for magic in total is strictly limited could work? For example: Your mum had speed enhancing paint you will have some form of it or Your mum had paint that could carry poison within it, your dad had paint that could take the physical appearance of slime and your grandma had paint that floats you now have floating poisonous slime paint. The key traits of a hard magic system are outlined in the graphic below. Another elite bending technique is Astral Projection since their are the most spiritual of benders. Examples of what an Interferer could do that Ive though of so far: make a gust blow faster (maybe carrying something along with it), making something fall/rise faster, increase the air pressure in a certain spot (very useful for strangling or pressure-point pushing!) I would take a step back from good and bad, first of all. I would point to Ancient Magus Bride as an example where you have both soft magic such as that used by both creatures of myth and the various magi, as well as the more grounded hard sort practiced by sorcerers. As fun as fantastical powers can be to write, crafting your magic system with care is key. Likewise, its important to disabuse the audience of the notion that mood swings can decide key moments whenever its convenient. Make magic tricky and fickle. Mind energies are bit different: they could be bonded with any type of energy. Because water is more tangible than air and fire, it is likewise easier to hold on to. If one were to observe the Vibrations and the way they Flow(this is another process, different from the other Four Laws) it would seem whacky, but they are extremely intricate and complex. Check out my other generators The descriptions follow the same pattern overall, but the details will vary to create different magic systems. Thanks! Hes also known as the God of Mischief. For example, a character could bind own mind blob to a fire blob and basically then he will control those fire, while his body will unconscious. They could solve all problems with a snap of their fingers. Theyre part of a task force to reweave the knots. Its a solid premise, and Im sure youll do amazing things with it. Here are some examples of magical sources: In Percy Jackson & The Olympians by Rick Riordan, magic comes from the gods. Those rules shouldnt be arbitrary, like fire magic doesnt work on Tuesdays or you cant cast an illusion spell in months without an R in their name. The rules need to make sense within the system. All of nature is in motion and all of natures motion serves to restore its own balance. I forgot Theosophy! ^.^ A damned if you do, damned if you dont scenario. The way it goes is that the universe of our perception is just a projection, an illusion if you will, of the real World, the Sea of Energy. As for the God of Storms, he likes dances in his honor. Ive been working on a magic system in my head, but would like help on a few things. A rational magic system follows rules, thats what makes it a rational system. If you actually have light magic and youre just not telling them until later, then great; youve foreshadowed without even trying. Powers are similar to Borne, but are not very draining. Since the universe as a whole tends towards entropy, where this world uniquely tends towards balance, fire doesnt always behave as expected), Water in its various forms (liquid, gaseous, solid; in redistribution it will always revert to its most common form in nature, that of liquid. Before you build your magic system, youll need to decide what kind of system you need to create for your story, because different magic serves different purposes. These symptoms will get worse over time. There are pros and cons. Anger Heat. Most priests wouldnt be any more concerned with gods than the average person. Perhaps then these powers could actually be based on nanobots or even totally new forces and particles that are not visually detectable. Writing is given magical properties in many books, movies, and shows but the paper itself is rarely imbued with power. But that doesn't mean all magic systems work equally well for stories. Our physical universe is merely the extent that we can see with our mortal Perceptions limits. ), Im just really curious to know more about your magic! Whether you use the force, a principle like Yin and Yang, some nano-bots, the aether, or something different, is up to your kind of story and what you like most. And the way they fight has to do in part what magic they use. I think rule based magic is important for worldbuilding, not novel writing. See the LessWrong articles Universal Fire and Universal Law for one explanation of how all physical laws are tied together. That wall of gobbldygook was as far as i got (there were a few story bits though; going to one of the factories and contending with the burgeoning AIs, people with unflattering mutations being exiled or outright killed, fear of the outside and of the disease, the worry that the holy artifact gifted by the gods(the jammers) is growing dim, whatever). You neednt appropriate any that have extant adherents, of course, but looking at what people believe can be a touchstone for how an invented system of magic could work. Combining powers for a summoning could mean larger creatures could be summoned and a teleportation spell could be able to teleport far more people, or even entire cities. That means that divine intervention is a possibility (a deus ex machina in the true sense of the world), but theres no way your regular human MC can rely on it. Gaining power Combining powers Limitations Now, I havent seen anything about your system, apart from what youve written here, but one easy distinction to make would be to give the angelic side healing magic and the demonic side something like destruction or seduction. What dangers does magic pose to the user, whether directly or because the use of magic is scorned or envied by society? World-Building, Prepare to Write, Revising for Publishing, As bestselling author Brandon Sanderson explains. Remember the problem with any kind of existing lore: someone out there whos reading your stories is an expert in it and will be pretty annoyed if you just wing it and your version has next to nothing in common with reality. Wraith, lich, or revenant for example. Many fantasy authors incorporate magic into their stories simply because fantastical abilities are a fun means of escapism. Good luck! For this reason, it is particularly dangerous to withhold kinetic energy and should be redistributed as soon as possible else you risk dismemberment from energy escaping randomly). . Also, I have another magic system that sort of more on the traditional side that Ive been wrestling with for my story. Relocating energy (in telekinesis or telepathy) is, however, less of a problem than dissolving a body and recreating it at another place, to its not the same as full teleportation. Choose the right magic system for your fantasy novel without the headache. : Someone could gain double the magic in half the time. What are those with magical powers called within your story world? If there are no downsides to using magic, your protagonists might soon become overpowered, able to solve any problem with the wave of a wand. In that, I will agree with what Chris Winkle said that putting thought into your magic system is a good idea. It is divided into two domains: the stone, minerals, and metals of the land, and the flora and fauna of the natural world. actuallydragon glass is NOT made from dragon fireits just some rock that forms naturally: obsidian. As bestselling author Brandon Sanderson explains, most magic systems can be classified as hard or soft in nature. If George R.R. *I noticed a notification in a tab I hadnt refreshed in a while about a new comment, but when I checked, there wasnt one. For instance, lets say magic is powered by a substance found within the soil. :-), Thanks! (For example, no effects that cover too large an area or are too far from the caster or use too much energy). Ask yourself what sources will work well for the magical effects you want to use, and what sources will work well within the world you have created. In a way you can see it as choosing between having 2 (or more) people using normal weapons to fight an enemy together. Most often, the source of magic itself comes in different types that create different effects. It may sound similar to Avatar but it is growing. Magical properties are randomly given to some creatures and elements (eg: Fire breathing dragons, Gem stones that arent affected by gravity)- this type of magic is Irational but still has rules (depending on each specific example), But the most common form of magic is the one humans can control- this is a rational hard magic that is all about Energy, our ability to create & manipulate it. In some cases, the answer might already be obvious given the world your story is set in. Its unclear whether there are any other self-casting old magic spells besides this one. In my plant-based system, there could be a lineage with the biological adaptation to absorb the magical substance directly, without using the plant as an intermediary. Youll need to set guidelines for how these beings operate so that you can explain why they do or dont answer prayers whenever theyre asked. If you don't combine spells you'll have 2 (or more) people fighting together, but not as one being. If I use strength to push a boulder, that boulder gets the amount of energy while moving (with a little bit of entropy when it comes to friction, of course). Reading this made me realize that while Ive got the source pretty nailed down, I dont actually have much else figured out yet! Is it connected to religion or religions of your world (since something based on the principle of good and bad [if you have to keep that, use evil instead of bad] should have a connection to religion)? Id classify it as being more rational than say Disneys Aladdin, but it is still in a category of high fantasy where the limits as to what is possible are still a bit fuzzy. But thats not the way Rowling goes. The villain in S3 of A:LoK achieves it. Ill be checking this site for updates everyday, so thank you in advance of letting me share my crazy idea with you all.
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